Featuring tracks from Panic! At The Disco, Hayley Williams, and Cobra Starship, the soundtrack remains a time capsule of late-2000s "emo-pop" culture.

Modern audiences celebrate the film as a sharp exploration of female friendship, the "male gaze," and the trauma of objectification. It subverts traditional horror tropes by making the "victim" the predator, fueled by a literal hunger for revenge against those who exploited her.

The film perfectly balances high-camp aesthetics with genuine gore, making it a staple of the "feminist horror" subgenre alongside films like Ginger Snaps or Raw .