The camera often sits at the donkey's eye level, forcing the audience to experience the world’s beauty and cruelty without the filter of human ego.
The film is a reimagining of Robert Bresson’s 1966 classic Au Hasard Balthazar . It is known for its: EO 2022.mp4
It uses experimental cinematography, including saturated red filters and sweeping drone shots, to convey the donkey's internal state. The camera often sits at the donkey's eye