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Guillaume de Machaut’s Messe de Nostre Dame (Mass of Our Lady) is the first complete, polyphonic setting of the Mass Ordinary known to be written by a single composer. Composed in the early 1360s at Reims Cathedral, it transformed the way sacred music was structured, moving away from anonymous, disjointed fragments toward a unified artistic whole. A Masterpiece of the Ars Nova
: It expanded sacred music to four independent voices, adding a "contratenor" for deeper harmonic richness.
The Mass was likely written for the Saturday "Lady Mass" at Reims Cathedral , where Machaut served as a high-ranking cleric.
: Machaut used isorhythm , a complex system of repeating rhythmic patterns, primarily in the tenor lines. The Story of its Creation
