The Last House On The Left -

This was Craven’s first feature, establishing his career-long obsession with the thin line between dreams (or civility) and nightmares. 🩸 Legacy and Impact

It was a loose, brutal reimagining of Ingmar Bergman’s The Virgin Spring . The Last House on the Left

Two teenage girls, Mari and Phyllis, are kidnapped, tortured, and murdered by a gang of convicts. This was Craven’s first feature